摘要：儒家经书的雕版印刷始于五代后唐国子监刊刻《九经》，从此儒家经书的传播方式由手抄、石刻进入雕版印刷的时代，大大促进了经典的传播和普及。有宋一代，随着雕版印刷技术的繁荣发展，儒家经书文本逐渐规范统一，十三经作为儒家经典核心的文本形式得到确立；从经注本、单疏本，到附释文本、注疏合刻本，从而形成后代通行的十三经注疏文本，这个演变正是在宋代完成的。应该说宋代是儒家经典十三经文本确立并多样化发展的的时期，宋代经书注疏刊刻的研究，对于经学、版本学及出版史的研究都具有重要意义。

本文研究的范围，限于传统的十三经注疏。宋代经书注疏的刊刻，与其他文献的刊刻相比，有不同的特点，就是儒家经书常常是作为一个整体来出版发行。虽然有所谓五经、六经、九经、十一经等不同的经数，但数种经典以同样的面貌同时出版发行，却是宋代经书注疏刊刻中一个常见的现象。由于是在相同时间、相同地点、相同的刻书者所刊刻的同一套经书版本，这些版本之间具有相同的版刻特点和内容特点。因此，我们可以通过现存的版本实物了解今已不存的同一套书中的其他各经的大概面貌，也可以通过版本风格特点将散存的零星版本划分为各成系统的版本。由此可以更清楚地了解宋刻经书版本的全貌，也有助于对现存宋刻经书版本的深入认识。基于此种考虑，本文根据宋代经书版本的内容类型，分为白文本、单经注本、经注附释音本、单疏本、注疏合刻本等数章，各章下分述该类型的历次重要刻书。

本文通过全面考察现存宋刻经书版本的传本，及各种宋刻经书版本的翻刻本、影刻本，结合文献记载及前代书目著录，对宋代儒家经书的历次刊刻源流、流传递藏情况进行了全面梳理与考证，对各类型版本的不同体例特点、文献价值进行了分析与论述。对于重要的版本，还通过部分内容的比勘，来考察各版本间的相互关系。力图做到将现存版本实物与文献记载相结合，将外在版本的考察与内在文本的比勘相结合，希望反映宋代经书注疏刊刻的全貌，及经书文本在宋代的演变历程。同时，通过对各类型版本的综合分析和深入探讨，发掘现存宋刻经书版本的内在价值，为儒家经典的整理工作提供全面准确的版本信息。

关键词：经书注疏  经学版本  宋刻本  十三经

A Study of the Confucian Classics with Annotations and Commentaries Printed in Song Dynasty

Abstract: Confucian classics being printed with woodblock print began during the years of Later Tang of Five Dynasties, while the Nine Classics were published superintended by the National Academy. Since then, the spread way of Confucian classics had changed from the methods of hand-writing and carving in stone to the method of woodblock print. It greatly promoted the dissemination and popularization of Confucian classics. In the Song Dynasty, with the prosperity and development of skills of woodblock print, the texts of Confucian classics were established gradually. The Thirteen Classics was regarded as the core content of Confucian classics. The annotated and explicated edition of Thirteen Classics, being popularized in the later ages, was developed from he annotated edition, the commentary edition, the interpretation edition and the edition with annotation and commentary. It was finished during the Song Dynasty. The Song Dynasty is the period of the texts of Thirteen Confucian classics being various and established. Thus the study on the publication of Confucian classics with annotations and commentaries of the Song Dynasty is very important for the study of Confucian classics, bibliology and the history of publication.

The extent of this paper is related to the traditional Thirteen Classics with annotations and commentaries. The characteristics of Confucian classics publication in the Song Dynasty are usually being published in whole as a collection. It is a different from other kinds of documents. Though each collection may consist of classics different in number, five classics, six classics, nine classics or eleven classics, the editions of the same several classics in different collections are the same. It was very common in the Song Dynasty. Classics in one collection were carved by the same engravers and published at the same place in the same time. The characteristics of the edition styles of the classics are showed the same. Thus we can find out the features of the classics being lost by the classics being survived to the present day in the same collection. We also can divide the systems of editions by these features to have the full view on editions of Confucian classics of Song Dynasty.

In view of above consideration, the editions of Confucian classics of Song Dynasty were fallen roughly into a few categories by contents, unannotated edition, edition of separate classic with annotation, edition of annotation and phonetic notation, commentary edition, and annotated and explicated edition. The important publications of each edition are discussed respectively in each chapter of this paper. Style characteristics and literature values of each edition are analyzed and discussed. Parts of texts of some important editions are collated in order to reveal the relationship among some editions. I attempt to link the books survived to the present day with documentary records and the external features of edition styles with internal textual collations to show the full view on publishing Confucian classics with annotations and commentaries, the development of contents of classics in the Song Dynasty, and to realize the internal value of Song editions of Confucian classics. It can provide comprehensive and correct edition information for collating Confucian classics.

Key Words: Confucian classics with annotations and commentaries   editions of Confucian classics   Song edition   the Thirteen Classics

导师：孙钦善教授